![]() Écoutez des morceaux comme « Das Rheingold, WWV 86A, Act I, Scene 1: Vorspiel 'Auf dem Grunde des Rheines' », « 4 Duets, Op. A fuller synopsis of the convoluted plot would have been helpful, but the lively ‘behind the scenes’ documentary offered on the Blu-ray disc throws valuable light on the two directors’ approach to the music and drama. Écoutez Schubert, Schumann, Brahms & Wagner: Rheinmädchen de Ensemble Pygmalion, Bernarda Fink & Raphaël Pichon sur Apple Music. Pygmalion provides vigorous and expert orchestral accompaniment, and Raphaël Pichon’s assured direction secures superb coordination with the soloists and the firmly focused chorus. Nevertheless, more interaction between the characters would have benefited the drama, and more flexible stage action would have greatly improved the slaying of the sea monster. Michael Fau’s production, with effective use of gesture and dance, and Emanuel Charles’s highly coloured, stately sets make for a very handsome visual presentation. In the title role Reinoud van Mechelen rises splendidly to his major dramatic interventions and Florian Sempey as his rival Antenor is commanding and resonant. Gaëlle Arquez as Iphise delivers her moving monologues at the starts of the first and third acts with dramatic intensity matched by great beauty of tone. If the plot, based on the tribulations and eventual union of Iphise and Dardanus, seems a touch inconsequential, there are plenty of opportunities for music of noble sentiment, dazzling conjuration and grand set pieces. However, the original 1739 version contains some of his finest operatic music and luckily it is this version, with a few later revisions, presented here. ![]() In its day, the excessive use of magic and the rather ludicrous plot of Rameau’s Dardanus attracted a fair amount of disapproval, prompting the composer to extensive revisions.
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